Diving In

Wherein the artist throws caution to the wind and paints fast, before the frogmen come out of the sea…

Early morning gave us the gift of gray skies, yet again. The sun of yesterday gone, the thoughts of the rainy season, winter, looming. Yes, it is far from winter, and yet a gray day makes one think ahead, planning for wetter days. Perhaps a wet suit would be in order…

I went to the studio to try to make some sense of the disarray I had left it in, while, in the back of my mind, I thought I’d give the skies a chance to clear. Puttering around in the studio, listening to NPR, drinking a cup of coffee from the local cafe, all these are pleasant, meditative things. Spending a couple of hours thus meditative, I was happy enough. But I did prepare my plein air gear for the moment that I knew would come.

One moment the gray light diffused through the gauzy curtains of my studio windows and the next moment a sparkle of brightness crackled on the wooden floor and I was aroused from my meditative, puttering state of mind. Thrown in to action by the triumph of the sunlight over the cloudlight, I quickly hauled the gear downstairs and bungeed canvas bags of paint and medium, and my half-box French easel to the the bike, strapped on my helmet and headed toward the one place I knew the sun would be fullest, Monterey.

I ended up stopping along the way at the beach where scuba-diving schools train their frogmen to enter and exit the sea. Specifically, I set up near the cannery divers memorial statue, a nicely done bronze of an old-fashioned diving helmet of the early 20th century.

As it was getting to be around noon, I really painted fast, enjoying a certain freedom in mixing sloppily and slathering it on the board in a very free style. This has worked for me before, worked in the sense that it felt good; I can’t vouch for the quality of the paintings. But I had a sense of liberation and yet a feeling of being guided by an inner artist, someone or something beyond me, that took the brush, or rather, allowed me to use the brush to follow its urgings as if funneling the flow of my work down a free-running stream of happiness. In short, it felt pretty good. After all, the sun was shining, the bay was blue, the wind was minding itself for once, and I had a sense of control. “Control” isn’t the way to put it really. The truth is, I just dived in, like those crazy frogmen, not knowing what they might find in the murky waters of this crazy life. Here is what I found…

"The Divers' Beach"

"The Divers' Beach"


Here’s the video of the whole day…

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“China Point with Cypress” Plein Air Painting Demo

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Del Mesa Carmel Exhibit 2010

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Refreshment

In which, heat wave subsiding, the cove and the artist cool down. A bit of history…

My Setup with the Subject in the Background

My Setup with the Subject in the Background

As glorious as the sun has been, it has been hot, too hot for one so used to cold and damp. Now there was a rumor going around that this was all going away, that the dread “marine layer” would be coming back. That means fog, overcast skies, cool weather. I rushed down the hill on my bike to paint, once again, Lovers Point in Pacific Grove, while everything was still glowing in sun and happy with mothers and children. It was early morning…

The Easel with the Bike

The Easel with the Bike

That old cement pier is like an old Roman ruin. You can’t quite figure what every part is about. However, it’s pretty clear that the little building there once dispensed hot dogs and sodas to earlier generations. Now, sadly, its window is boarded up and only the ghosts of hot dogs live there. Setting up my easel on a terrace above the cove, and the convection oven of the day before, I set to work, again trying to work fairly fast.

This day was 10 degrees cooler than the previous day and, high on this terrace shielded from the reflection of the water by the stone wall, I was fairly comfortable. I worked my way through the complicated subject. The old pier was clearly built in stages by different people and nothing makes a lot of sense, but there it is, a lovely old relic of early Pacific Grove. As I painted, the empty early morning beach gradually filled up with mothers and children. There were a few fathers too, I noticed; young fathers spending time on this week day with their little children. I couldn’t help wonder about the good effects of a bad recession that brings young children together with fathers they would normally rarely see during the day…

Before the beach filled up, I painted this 14″x11″ called “The Old Refreshment Stand at Lovers Point”.

“The Old Refreshment Stand at Lovers Point”

“The Old Refreshment Stand at Lovers Point”

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Havin’ a Heat Wave, a Tropical Heat Wave

Wherein the artist becomes the featured dish in the convection oven of life.

The Cypress at Lovers Point

The Cypress at Lovers Point

As you know, or as you may have gathered from my constant whining about overcast skies, Pacific Grove suffers from a lack of sun in the summer months. So what a surprise when one day we have a heat wave* featuring all the ingredients of a heat wave, some good, some bad. Regrets for having worn jeans and a dark shirt is bad. Beautiful women and children on the beach is good. But first, the first painting of the day, at Lovers Point. Lovers Point? It is not known for sure whether the name was originally Lovers of Jesus, since Pacific Grove was originally a church summer camp, or lovers in the sense of…lovers. I am okay with both combined into one. In any case, I went to Lovers Point and was drawn to a lovely cypress, not the looming kind. This one towers.

“Lovers Point Cypress”

“Lovers Point Cypress”

Despite the fact that it was getting hotter and hotter, and the fact that I was, as usual, facing right into the sun, the cooling grass and the shade of another tree that I was hiding in made the experience reasonably pleasant. I was getting warm but nothing compared to what was going to happen in another couple of hours. In the meantime, I was badgered by a persistent man on a riding mower who was mowing that green expanse and insisted on coming closer and closer to me without regard. I finished just in time to avoid getting my toes mowed.

I packed up and moved on, riding my bike away, but not going far at all as the cove at Lovers Point caught my eye. It was full of color, children, buckets, umbrellas, young mothers, and beach blankets. This was just too much life to pass up and, not having gone 200 feet, I pulled over and unloaded my painting gear and made my way down the steps to the cove.

Just behind the sun bathers, the children and young mothers in this joyous scene, is a stone platform backed by stone walls. All of this stone work is ancient work, decades of formalizing the cove at Lovers Point into a workable place to swim and sun bathe. I picked the platform to set up and was in the middle of setting up when I realized that I’d chosen basically the vortex of a convection oven. The combination of stone walls, platform, brilliant white sand before me, and beyond that, the sparkling sun on the water, created a focal point of solar energy. You could boil water where I was standing.

For a moment I regretted and fretted. Then, I thought, what if I paint very fast? AND, I will have to wear my dark glasses. If I paint fast and wear my dark glasses, not my reading glasses which I normally wear when painting, the worst that could happen is that I will get a pretty decent sunburn just before I pass out from the heat. Deciding to take a chance, and realizing that it really was a possibility that I could pass out from being the main dish in a microwave oven of love, Jesus or not, I set to work painting blind, only guided by the color and the fear of heat stroke.

“Mothers and Children at the Cove”

“Mothers and Children at the Cove”

I’m happy to say that when I finished, packed up, and climbed up out of that oven of art, I ran into some friends and, at the beach grill, ordered a very tall orange soda that revived my parched person. Here is the 14″x11″ that I painted called “Mothers and Children at the Cove”

*Yes, I admit, it only got up to 81 degrees but, when you are used to 50s month after month, this is a heat wave.

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“The Old Refreshment Stand at Lovers Point”

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Windows on the Bay

Where, in the final installment of a one-day plein air marathon, the artist seeks to redeem himself, clearing his mind of a shadowy, evil cypress tree, and opening a “window” on the bay…

Windows on the Bay with Easel and Tree

Windows on the Bay with Easel and Tree

In the early days of old Monterey, this stretch of land adjacent to Del Monte beach, was filled with shacks and later with equally ugly businesses. Right on the beach! Little by little, however, the City has reclaimed this land and, as each business eventually closed as businesses do, turned this land into a park and called it Windows on the Bay. An apt name for sure, for the views are between the frames of eucalyptus and cypress. Here and there along the continuing recreation trail, which had once been the railroad bed, there are entries to the beach. It was to one of these that I sought refuge from the dark cypress that had seduced me only hours before. I pulled up on my bike and collapsed under a tree and ate a sandwich and considered napping. Instead, I set up and began to paint.

Windows on the Bay with Sail Boat

Windows on the Bay with Sail Boat

Delirious by now with exhaustion and too much sun, I tried to paint fast and keep in the shade. I know that this may seem hard to believe, when you see the final painting, but there really was a sail boat, and it really did line itself up exactly in the middle of the path to the beach. In the photo above, you can see the recreation trail. Imagine instead of a bike trail, railroad ties and rails. As much as we miss the train, I’d hate to see it come back and claim this scene.

This was a long day of plein air with hours of wind, sun, and worse, tourists asking dumb questions. BUT, one of the Lewis Laws of Painting states “Don’t be rude to the tourists.” That’s the PG version of the law. In any case, I did avoid being “rude” despite my fatigue which brings out the worst in me, and I painted this little 14″x11″…

“Path to the Bay with Eucalyptus”

“Path to the Bay with Eucalyptus”

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“Lovers Point in the Morning” Plein Air Demo Video

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Tunnel of Love Boat

Continuing the plein air marathon paint-out, the artist moves his easel 20 feet and paints the same boat through a “tunnel” created by a cypress.

Cypress with Boat

After painting a foggy morning with a boat which I ended up calling “Breaking through the Morning Fog”, the sun came out. This location is really a lovely location, right alongside the rec trail, overlooking the harbor, full of life and beauty. I thought, why move, paint here! So I just moved the easel about twenty feet and painted the same little boat, this time looking through the tunnel created by the encircling cypress tree. I guess I just love this boat.

One of the wonderful things about being an artist is that you can employ “artistic licentiousness”, I mean, “artistic license”, anytime you feel like it. That ugly chain link fence you see in the photo, meant to keep stupid tourists from falling over the cliff onto the rocks below, had to go. So, magically, it disappeared. I didn’t see it at all as I painted.

Easel in the Low Profile Position

Easel in the Low Profile Position

At one point, after a few hours of painting on the earlier painting and now on this one, I became restless and needed a break and so I needed to leave everything and walk about an eighth of a mile over to the Coast Guard pier where there is a restroom. Since it had gotten a bit windy I turned the easel down to a lower profile, as you can see in the photo.

There is something about these trees that always draws me in and forces me to paint them. The dark, looking shape framing a distant scene, all seems very beautiful in person. But, I should really learn this, it doesn’t really make a great painting and I, personally, am never happy with them. That is to say, I am never happy about the results. But, too late, I had been seduced by the cypress’ shadowy sex appeal with its cute little boat dangling there like a sparkly necklace. Evil tree, it made me paint it. And now, I have to live with the results. Happily however, there is always one more canvas…

"Harbor Cypress with Sailboat"

"Harbor Cypress with Sailboat"

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Lifting the Fog

In which the artist, seeks the sun on a day-long plein air training paint-out.

Foggy Monterey Harbor

Foggy Monterey Harbor

Pacific Grove is known for its summer fog. Had I known this, I probably would not have moved here, considering I love sun all the time, allowing only for occasional bursts of violent wet weather as a necessary counterpoint to the delirious monotony of beautiful weather. Violent weather is something I acquired a taste for while living on the East coast, so I need my storm fix now and then but mostly…give me sun! This morning it was foggy in Pacific Grove.

However, I can usually count on it being sunny just over the hill in Monterey, and so this morning Monterey was my location for a full day of painting. Deciding to paint as if I were in a competition, the bike was loaded up with several blank canvas boards in a wet canvas carrier, my half-box French easel, and a couple of canvas bags full of paints, towels, and mediums. Off I went, trundling down the rec trail to Monterey. The recreation trail follows the old railroad bed along the beautiful coast. It’s hard to believe that this trail was once closed to walker, filled with rails, railroad ties, and gravel, making it’s way along the edge of the water all the way to the Pacific Grove train station, now vanished, existing only in fading photos, photos that fade away like the foggy landscape presented to me at the Monterey harbor. Though it is hard to see in the photo, since the photo seems to clarify the scene, in person it was much more muted and misty.

Harbor with Easel and the Boat

Harbor with Easel and the Boat

As I have said in other posts “gray matters” so I dived into this scene of fogginess, picking a near boat, one that I had admired before, making it the subject of my painting. This was a day of many paintings so I painted fast, laying in grays and softness, and only sharpening the subject, a salty little sail boat.

You may know that my ol’ dad, Bill Lewis, lives out in this harbor on a boat very close to this one. So this subject is dear to me in many ways. Harbors are places that people look at from afar, experiencing the beauty, part of which is a certain longing to get out there on one of those little boats. I have done that many times, rowing out with him to the boat, hunkering down for a dinner of chilled salmon and vegetables, a few snifters of brandy, and hours of talk that we can’t remember the next day.

"Breaking through the Morning Fog"

"Breaking through the Morning Fog"

So I did enjoy painting the Monterey harbor yet again. Here it is. I wonder how many paintings I’ve done of it, and from this vantage too! I’m happy that I focused on the little boat, so like ol’ dad’s, and made it the focus of the painting, very much like when you are on a little boat in the harbor. You feel that your boat is the focus, the center, of the world somehow. You are separated from the frenetic world and the harbor moves you this way and that as the sun sets and the stars begin to shine down upon your little kerosene lamp and your glass of brandy.

More photos…

Harbor with Bike

Harbor with Bike

Robert Lewis Painting the Boat in the Harbor

Robert Lewis Painting the Boat in the Harbor

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